One of the things I had to take into consideration for The Road To Paris is which side to display outward, and which one just gets to peek through.
Both sides look good in their own right. You also get to see some of that Frosty Crystal glaze starting to crawl on the 'billboard' portion of the stack ruins on 'Side B'.
But on 'Side A', you can see the girder, plus some of my detail work on the 'billboard' portion.
Tough call, but 'Side A' won out.
Here are a few detail shots of The Road To Paris in its native habitat.
Next time we'll take a look at #285 Vaughn Crossroads...