Saturday, March 14, 2020

200 lbs. of Ceramical Fun: Part II

The pieces keep a rolling out and the kilns keep a firing.


As my stacks/towers/abandoned signs/structures start coming out of the kiln after being bisque-fired, I need to make some choices regarding color schemes/relationships.  Here are the first few intrepid pieces in an old wooden drawer I salvaged over 10 years ago.  The difference in color balance between some of the pieces is remarkable.  The warmer (but shinier) pieces were shot on my phone, the cooler (more accurate) ones were done on my 10-year old point-and-shoot camera.

Phone.



The surface has more of a glare than I am used to.

Point and shoot camera.




The color scheme is a mix of St. John's black, metallic black (to stain the cracks), iron rust, frosty crystal (a white crackle glaze), and nutmeg.  The pieces are fired to cone 6 (2232 degrees Fahrenheit).





Camera on phone.



Point-and-shoot camera.









The sign/oval showcases what that Frosty Crystal glaze does.


The St. John's Black is the crawling glaze on the diagonal beam.













This is that old shelf I mentioned at the top of this post.  I made several (but not all) of my pieces so the could potentially fit in this box or one that has yet to be fabricated.


We'll close with a few masks...







More to come.  Stay tuned!

Wednesday, March 11, 2020

Tragicomedy in Three Parts: The Saga Continues

The beginnings of this triptych go back at least to 2005.  For the most of that time, these three panels have been happily tucked into a nook in the studio and all-but-forgotten.  Recently, I moved the painted constructions that were covering them and my interest in working on them was re-sparked.








While looking at the triptych, I decided to try combining them with a separate landscape-inspired idea I have been kicking around in order to create a pop culture landscape experience (hopefully the first of many).

So here are the panels of Tragicomedy in Three Parts flanking my two (currently) monochromatic architectural pieces.



As a five panel composition.


I see a lot of possibilities coming out of the pairing of these two ideas into 'one composition'...